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cestqui - c'est-qui da ass

Description

wont say to much,that can be used against me.....;here it is...

worked with sx to rewire it,and worked with saxlab for a change,so people can listen to the notes,in a way they know it(sadly)

suggestions are welcome,we all (still)want to learn

greetz

Suggestions

 
 
 

Comments

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heatfuse [be] - 12 years ago

excellentissim! great work! dont know how to expresss this, but the strings sound like they are not really attached to the song, it's a little weird....I think maybe it's coz the song sounds so warm and the strings are like shrieking :s It's a minor thing and I may be the only one noticing. got one little idea: add a second string on a lower toneladder, that often gives more presence.

Anyway, great job, finished version is likely to go to my favs (which is sooo unusual for me to do with housetracks!)

cheers!
 

cestqui [be] - 12 years ago

its major and minor,most funky songs are build that way

in fact its,major,major,major,minor

dont know what ya mean,by your sugestion,cause when 2 difrent notes fall at same time,you start to create a chord,wich cant be in same tone

ps,does anyone have exporting trouble with the update??

greetz
 

Ruby [be] - 12 years ago

verry nize and funky bazzline ;)

Good Track !!!
 

heatfuse [be] - 12 years ago

I meant the following: if the violinstrings are playing a high do-la-sol (or whatever), then add a low do-la-sol on top of it. did I make it more understandable now? :p
 

DJerem [be] - 12 years ago

nice one !!!
 

kiande [be] - 12 years ago

i don't get it. excellentism? great work? give me a break. this song is going nowhere, the strings get on my nerves big time. something is wrong with the notes. that endless clap thing irritates me on headphones. effects, filters whatever aren't going to do any good if the basic music sounds like bollocks. i know its going to sound very rude, but i'm really beginning to think you are tonedeaf.

no more mister nice guy

3/10
 

cestqui [be] - 12 years ago

YA NEVER WERE MR NICE;HAHHA

I SEE YA ONLY COMMENT THE CRAPPY SONGS?THE REST YA LEAVE UNCOMMENTED?MAY BE YA CANT FIGGER OUT,ANY NEGATIVETY

MY TIP TO YOU IS>>GO SEE A SHRINK?AND DONT THINK TOO MUCH?WE DONT ALL, HAVE A MUSICAL BAGAGE?LIKE YOU

AT LEAST?WE KEEP ON TRYING?TRYING
 

SoLo [be] - 12 years ago

nice one, i like the funky slow sound at the beginnning but the strings are really not for that song, you lost the groove of the song, for mine you have to put a sound more wet, not long notes to keep the dynamic a kitch counttry sound per example and an introduction before would be cool, because it sounds have no structure
but i really like the sounds ;p
 

firefrog [be] - 12 years ago

wow, indeed serious improvement. if this basis isn't right, no other will be!
 

heatfuse [be] - 12 years ago

strings still don't sound good in my opinion. try an electric guitar :p (seriously, try the slayer2 VSTi)
 

cestqui [be] - 12 years ago

it is no point in changing instruments,if the notes are not corect!!

do they match?or is it the sound of the violins that are not at your taste,cause if ya know any refill,or vsti that can produce more realistic feel,you're welcome

still reasons main lack of realisme>>good trumps,sax en violins,

greeetz,
 

heatfuse [be] - 12 years ago

shit man, the more I listen to it the more I get used to it and now I cant tell for sure anymore. the sound I didnt like from the start and the notes/melo...cant tell for sure...hmm w8, I'm having a revelation as I write...if i try to imagine a piano instead of violin...yup the melo sounds wrong!
 

cestqui [be] - 12 years ago

man,you are funny,muhahha

let me explain a thing or 2

where the break begins,the piano solo,plays the violin notes,so dont try to imagine it(will certainly be wrong),just listen to the last part

damn,ya had to heared that,it just follows each other

greeetz
 

heatfuse [be] - 12 years ago

cq, obviously I wasnt referring to that part, duuuh...I've listened to this song over 10 times now, going from one part to the other...I've said that there was something I didnt like with those strings, the sound in the first place and then the melo. the melo dont fit with the piano (i'm particularly referring to the beginning and not to that duet). It is just my subjective feeling that it doesnt work out the way it should. but hey, maybe I am full of shit! here's one advice that should work: let this rest for a couple of weeks and then listen to it again
 

eddie [be] - 12 years ago

I like the rythm, but something is wrong with the timing of your strings. Put the attack faster I think. And then after a good minute chaos breaks loose again... Gives me a headedge. Making music is not about putting 10 elements on top of each other... Its about harmony.. and I don't have that in this track.
The Bassline on the other hand has a good vibe. Really funky and catchy. Tell you what; take the rythm and the bassline... throw all the rest in the garbage bag... and start over :)
 

cestqui [be] - 12 years ago

yeah,had simular thoughts,will pick it up later,with the existing bazeline-rhythme,may be the pianosolo,will look for other chords,that fit the melo ,or vise versa

thx for the time,and feedback
 

SoLo [be] - 12 years ago

i really prefer this version, i was planning and...ouch, the final piano solo doesn't paste to the rest of the dynamic
and it's a very brutal end..

and when i think about it, i saw your comment on transcendences 2 days ago, morph in studio is not a studio it's just a name , and the comment was very far to be constructive =/ i was very disapointed
 

Cameron [be] - 12 years ago

Not realy my thing. To much melody and realy bad baby-sax. Sorry, but the sax and the churchorgan is realy poor
No hard feelings
 

Doorchaser [be] - 12 years ago

Hey don't be modest,

You have an honest opinion although sometimes we don't agree, but mostly that's just a matter of taste.

You give comment and that's what I like about you. And that's waht makes it worth giving it a listen.

Must admit that I'm not that much into House. But you have some funky shit over here.

Strings don't bother me, Nice Bassline, excellent groove (like that in your others to)

One thing that bothered me a bit was the sudden end. But that's just me (I'm a sucker for long endings).

Overall: Nice going
 

cestqui [be] - 12 years ago

i am not here to be santaclaus,but i'll make you,you're own santa;

also i'm not the wolf in the henhouse,i leave that to kiande,but dont tell me,that i cant say my opinion.

i 'm happy to hear,there are a few who apriciate my comments,i try to wrap them in a funny package,to ensure it sticks!!!

also,i'm very happy with all of your comments,even if its a detail(ending)

nect post will be more finished,as usual

and thx for those who believe in the future versions,these are just previeuws

someone with vision,surely hears the thing i'm working towards,but it cant be done in one version(at least ,i cant)

once again,greeeeeetz
 

kino [be] - 12 years ago

think its rather chaotic, not the best work i ever heard, there are good sounds in it, but you used them wrong i think
 

kiande [be] - 12 years ago

ok, here we go again, and i'll try to be polite this time.

First: notes and chord progression. i have listened a few times just now and i still have to say that it doesn't sound right. if i'm not mistaken you built this song starting with the bassline (a loop i guess, i could be wrong) followed by the chords and lastly the flute/sax things. The bass on itself is okay, but the chords clash completely with that bassline. if you listen to the chords in isolation, the sequence is not right as well. best practice (although this can be discussed) is that the chord progression takes you somewhere, and then settles down in the last bar to be able to take you to the next bar safely. the type of instrument playing this chord progression does not matter in my opinion, a rhodes, an organ whatever, but that sequence must be fixed before you can build the rest of the song on top, right. summarized: harmony isn't right, can be fixed.

Second: and this is something i detect throughout a lot of your songs: you have percussion part with a certain swing feel in it, alright nothing wrong with that. But somehow the sax for example, as well as the flutes, and the string in the previous version, do not follow this swing feel (probably programmed to a straight quantized grid). Now that could be the major reason for everything to sound so chaotic. fix this and the whole mix will be a lot tighter.

Third: perhaps more personal taste, but the instruments you use solo, in this case the sax and the flute (i think) apart from not being tightly bound to the rhythm, they miss the point. a solo instrument should be like a dolphin smoothly playing around the harmony, i only hear riff patterns which in itself could be useful to create drive, but unfortunately they do not, according to my feeling. also, both solo instruments are getting in each other's way. if they do, perhaps try a question-answer melody-countermelody theme where both complement eachother.

that's about it for now.
 

alcassandre [be] - 12 years ago

i like the bass and the melody. A summer song. You use congas and percussions, great, it's more "hot". Cool, i like the napp outerwater space. Oh a sax, is it an alcassandre inspiration??
I like it man ....
 

cestqui [be] - 12 years ago

kiande,thx for the clear vieuw,i'm following you,although its easier to follow your xplenation,than to do something about the song,theheh

but i'll try,been listening to a lot of examples

and there's no loop in the song,wich gives me total freedom,but can also turn in total colision

i gues when i get the chords better to the bazeline,the rest will make sence,and it will flow again,the perc s were a test,something i wanted to make that i like,from other songs(mateo& matos)

anyway,apriciate your time(used it wright this time)

greetz
 

Pirate [be] - 12 years ago

very nice bass-line and percussion!
nice track.
+1 of course
 

firefrog [be] - 12 years ago

i think it is a good choice to replace the violin by a sax, only - cause it is a sax - it should play more difficult jazz-like melo's, instead of some swing-notes. fast changes in the melody, difficult melo's, rolling notes will make the sax come far more to its right.
as a guideline, i refer to the sax of "the man with the red face" of laurent garnier
 

Funky [be] - 12 years ago

Ah, nice edit! I like your choice of instruments! And some of the comments where extremely learnfull... I'm curious how you gonna take care of the song...Anyhow...There are some nifty ideas in it! And the organ sound kicks ass the most imho! Grtz
 

aphone [be] - 12 years ago

20 minuts to read all cmts on this track... !!!!!!!!!


what me say: FUKN great job :p lol
 
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